STAGING SITE

Biography

Solo Exhibitions

2016One Wall, One Work, Barbara Krakow Gallery, Boston, MA
2015Bronze Bowl with Lace, Bluhm Family Terrace, The Art Institute of Chicago, Chicago, IL
Ursula von Rydingsvard, Giardino della Marinaressa, La Biennale di Venezia, Venice, Italy
2014Permeated Shield, Galerie Lelong, New York, NY
Ursula von Rydingsvard, Yorkshire Sculpture Park, Wakefield, England
Ursula von Rydingsvard, Kloster Schoenthal, Langenbruck, Switzerland
2013Shadows Remain, SCAD Museum of Art, Savannah, GA
2011Ursula von Rydingsvard: Sculpture 1991-2009, Sculpture Center, Long Island City, NY; Traveled through 2012 to deCordova Sculpture Park and Museum, Lincoln, MA; Museum of Contemporary Art, Cleveland, OH; and Patricia and Phillip Frost Art Museum, Miami, FL
2010ERRĀTUS, Galerie Lelong, New York, NY
New Works with Paper from Dieu Donné and a Recent Sculpture, Barbara Krakow Gallery, Boston, MA
Deckle Deckle, Dieu Donné, New York, NY
2009Primitive Pull, Pilane, Sweden
2007Portland Art Museum, Portland, OR
Herbert F. Johnson Museum of Art, Cornell University, Ithaca, NY
2006Sylwetka, Galerie Lelong, New York, NY
Mad. Sq. Art at Madison Square Park, New York, NY
2004Galerie Lelong Zürich, Zürich, Switzerland
2003Recent Sculpture, Lafayette College, Easton, PA
A Psychological Landscape, Butler Gallery, The Castle, Kilkenny, Ireland
Primitive Jarring, Galerie Lelong, New York, NY
2002On an Epic Scale, Neuburger Museum, SUNY Purchase, New York, NY
Cedar Lace and Tossing Loops, Galerie Lelong, Paris, France
2000Cranbrook Art Museum, Bloomfield Hills, MI
Hill Gallery, Birmingham, MI
Galerie Lelong, New York, NY
Galerie Lelong, Zurich, Switzerland
1999Sculpture, Barbara Krakow Gallery, Boston, MA
1998-9Sculpture, Madison Art Center, Madison, WI; traveled to Hood Museum of Art, Dartmouth College, Hanover, NH; Chicago Cultural Center, Chicago, IL; The Contemporary Museum, Honolulu, HI; Nelson Atkins Museum of Art, Kansas City, KS; Indianapolis Museum of Art, Indianapolis, IN; and to Yorkshire Sculpture Park, Wakefield, England.
Byron Cohen Gallery, Kansas City, MO
1997Sculpture, Galerie Lelong, New York, NY
1996Hand-e-Over, Museum of Art, Rhode Island School of Design, Providence, RI
1995Socks on my Spoons, University of Massachusetts at Amherst, MA
University of Wyoming Art Museum, Laramie, WY
1994Weatherspoon Art Museum, The University of North Carolina at Greensboro, NC
Galerie Lelong, New York, NY
1992-4Ten Year Retrospective, Storm King Art Center, Mountainville, NY
1992Zamek Ujazdowski, Contemporary Art Center, Warsaw, Poland
1991Lorence Monk Gallery, New York, NY
1990Lorence Monk Gallery, New York, NY
The Fabric Workshop, Philadelphia, PA
Capp Street Project, San Francisco, CA
1989Feigenson/Preston Gallery, Birmingham, MI
Cranbrook Art Museum, Bloomfield Hills, MI
1988Exit Art, New York, NY
Laumeier Sculpture Gallery, St. Louis, MO
1985Studio Bassanese, Trieste, Italy
1984Bette Stoler Gallery, New York, NY
1982Rosa Esman Gallery, New York, NY
1981Rosa Esman Gallery, New York, NY
198055 Mercer, New York, NY
Jorgensen Gallery, The University of Connecticut, Storrs, CT
197955 Mercer, New York, NY
1978Robert Freidus Gallery, New York, NY
197755 Mercer, New York, NY
SoHo Center for Visual Arts, New York, NY
1975Columbia University, New York, NY

Selected Group Exhibitions

2017Saison 2017, Centre D'Arts, Domaine-De-Chaumont Sur Loire, Chaumont-Sur-Loire, France
In Conversation, Indiana University Center for Art + Design, Columbus, IN
No Boundaries: Sculpture by Thirteen Women, Marlborough Gallery, New York, NY
Entangled: Threads & Making, Turner Contemporary, Margate, UK
2016Art Basel Miami Beach with Galerie Lelong, Miami, FL
Intersections: Artists Master Line and Space, Akron Art Museum, Akron, OH
Pure Pulp: Contemporary Artists Working in Paper at Dieu Donné , Wellin Museum of Art, Hamilton College, Clinton, NY; Williams Museum of Papermaking, Georgia Tech, Atlanta, GA; Dedalus Foundation, Brooklyn, NY
A Material Legacy: The Nancy A. Nasher and David J. Haemissegger Collection of Contemporary Art, Nasher Museum of Art at Duke University, Durham, NC
Large Sculptures, Marlborough Gallery, New York, NY
The Armory Show with Galerie Lelong, Pier 94, New York, NY
Revolution in the Making: Abstract Sculpture by Women 1947-2016, Hauser, Wirth & Schimmel, Los Angeles, CA
2015Art Public, Art Basel Miami Beach, Miami, FL
Ursula von Rydingsvard and Others: Materials and Manipulations, Princeton University Art Museum, Princeton, NJ
Art Basel, Messe Basel, Switzerland
The Annual 2015: The Depth of the Surface, National Academy, New York, NY
2014Frieze Masters, Regent's Park, London, England
Branching Out: Trees as Art, Peabody Essex Museum, Salem, MA
Drawings & Works on Paper, Galerie Lelong, New York, NY
Fact of the Matter, 1285 Avenue of the Americas Gallery, New York, NY
2013Come Together: Surviving Sandy, Year 1, Industry City, Brooklyn, NY
Glasstress: White Light/ White Heat, Collateral Event of the 55th International Art Exhibition La Biennale di Venezia, Istituto Veneto di Scienze ed Arti, Venice, Italy
Against the Grain: Wood in Contemporary Art, Craft and Design, Museum of Arts and Design, New York, NY; traveled in 2012 to Mint Museum, Charlotte, NC
2012Wunderkammer/ Tod Williams Billie Tsien Architects: 13th International Architecture Biennale, Venice, Italy
An Odyssey: A Narrative of the Fabric Workshop and Museum, The Fabric Workshop and Museum, Philadelphia, PA
Every Exit is an Entrance: 30 Years of Exit Art, Exit Art, New York, NY
HERe First: Woman as Protagonist, The Art Show 2012, Park Avenue Armory, New York, NY
The Annual: 2012: Contemporary Since 1826, National Academy Museum, New York, NY
Glasstress New York: New Art From The Venice Biennales, Museum of Art and Design, New York, NY
Do Not Destroy: Trees Art and Jewish Thought, Contemporary Jewish Museum, San Francisco, CA
2011Glasstress 2011, Collateral Event of the 54th International Art Exhibition La Biennale di Venezia, Istituto Veneto di Scienze ed Arti, Venice, Italy
Lynen: Sylvia Plimack Mangold, Ursula von Rydingsvard and Kiki Smith, Barbara Krakow Gallery, Boston, MA
Four Sculptors 1968-1980, Lesley Heller Workspace, New York, NY
Fifty Works for Fifty States: The Dorothy and Herbert Vogel Collection, High Museum of Art, Atlanta, GA
The Dorothy and Herbert Vogel Collection: Fifty Works for Fifty States, University of Wyoming Art Museum, Laramie, WY
20105+5:New Perspectives, Storm King Art Center, Mountainville, NY
Sculpture: Twelve Independent Visions, Marlborough Chelsea, New York, NY
2009With You I Want to Live: The Collection of Francie Bishop Good & David Horvitz, Museum of Art Fort Lauderdale, Nova Southeastern University, Fort Lauderdale, FL
Landmarks, The Public Art Program of the University of Texas at Austin, Austin, TX
The Dorothy and Herbert Vogel Collection: Fifty Works for Fifty States, Speed Art Museum, Louisville, KY
Sculpture at Pilane 2009, Arranged by Pilane Heritage Society & supported by the National Heritage Board of Sweden, Tjorn, Sweden
2008Exhibition of Works by Newly Elected Members and Recipients of Honors and Awards, American Academy of Arts and Letters, New York, NY.
Sculpture: A Wyoming Invitational, University of Wyoming, Laramie, WY
A Year in Drawing, Galerie Lelong, New York, NY
Origins, Hudson Valley Center for Contemporary Art, Peekskill, NY
Drawn by Sculptors, William Shearburn Gallery, St. Louis, MO
2007Out There, The Art Students League of New York, New York, New York
Blickachsen 6, Galerie Scheffel, Bad Homburg Kurpark in collaboration with Yorkshire Sculpture Park, Bad Homburg, Germany
2006POZA, Real Art Ways, Hartford, CT
From Postwar to Postmodernism, LeRoy Neiman Gallery, Columbia University School of the Arts
The Bong Show, Leslie Tonkonow Artworks + Projects, New York, NY
Fairchild Tropical Botanic Garden, Miami, FL
Out of Line: Drawings from the Collection of Sherry and Joel Mallin, Herbert F. Johnson Museum, Cornell University, Ithaca, NY
2005The Art of 9/11, Apexart, New York, NY
City Art, Center for Architecture, New York, NY
Eco-photo: Art as if Nature Mattered, Dorsky Gallery, Long Island City, NY
Material Terrain: A Sculptural Exploration of Landscape and Place, Laumeier Sculpture Park and Museum, St. Louis, MO; traveling through 2008 to Museum of Art and History, McPherson Center, Santa Cruz, CA; Palm Springs Art Museum, FL; University of Arizona, AZ; Amarillo Museum of Art, TX; Memphis Brooks, TN; Herron School of Art, Purdue, IL; Cheekwood Museum and Botanical Garden, TN; Columbia Museum of Art, SC; Lowe Art Museum, University of Miami, FL; Beach Museum of Art, Manhattan, KS
New at the Neuberger: Recent Acquisitions, Neuberger Museum of Art, Purchase, NY
2004Life Understood, Hill Gallery, Birmingham, MI
Ten, Byron Cohen Gallery, Kansas City, MO
Picasso to Thiebaud: Modern and Contemporary Art, (from the permanent collection) Cantor Arts Center, Stanford University
The 179th Annual An Invitational Exhibition of Contemporary American Art, National Academy Museum, New York, NY
2002Lesley Dill and Ursula Von Rydingsvard, Byron C. Cohen Gallery, Baltimore, MD
Shift, Galerie Lelong, New York, NY
Primal Screams and Songs: Selections from the Permanent Collection, Museum of Contemporary Art, North Miami, FL
globe>miami>island, Museum of Contemporary Art, Washington D.C.
Encounter at the Bass Museum: Installation Performances, Bass Museum
2001Clay On The Wall, Gallery 128, New York, NY
Silver and Gold, Imago Galleries, Palm Desert, CA
The End: An Independent Vision of the History of Contemporary Art, Exit Art, New York, NY
1999-2001KolnSkulptur 2, Koln, Germany
1999GEEZE LOUISE, Art After Louise Nevelson, Educational Alliance Gallery, NY
Drip, Blow, Burn: Forces of Nature in Contemporary Art, The Hudson River Museum, Yonkers, NY
1998Sculptors and Their Environments, Pratt Institute, New York, NY
Masters of the Masters: MFA Faculty of the School of Visual Arts, Butler Institute of American Art, Youngstown, OH
1997A Moveable Feast, David Klein Gallery, Birmingham, MI
Wood Work, Fisher Landau Center, Long Island City, NY
1995-6The Shape of Sound, Exit Art, New York City, NY. (Ocean Floor)
Beyond Gender, Snug Harbor Cultural Center, Staten Island, NY
1995Body as Metaphor  (Curated by Josephine Gear), Procter Art Center, Bard College, Annandale-On-Hudson, NY
American Sculpture : A Contemporary Perspective, University of Wyoming Art Museum, Laramie, WY
Crossing Counties: 20th Century Art from Private Collections in Westchester and Fairfield Counties, Neuberger Museum, Purchase, New York
1994-5Landscape as Metaphor, Columbus Art Museum, Columbus, OH and Denver Art Museum, Denver, CO, curated by Martin Friedman
1994Beyond Nature: Wood into Art, Lowe Art Museum, Coral Gables, FL
American Academy Invitational Exhibition of Painting and Sculpture, The American Academy of Arts and Letters, New York
Group Show, Galerie Lelong, New York
Three Rivers Art Festival, Pittsburgh, PA
Landscape not Landscape, Gallery Camino, Boca Raton, FL
1993Art on Paper, Weatherspoon Art Gallery, Greensboro, NC
Drawings, Montgomery Glasoe Fine Art, Minneapolis, MN
The Second Dimension: Twentieth Century Sculptors’ Drawings from the Brooklyn Museum, Brooklyn Museum, Brooklyn, NY
Group Show, Galerie Lelong, New York, NY
Grounds for Sculpture, Johnson Atelier, Technical Institute of Sculpture, Merceville, NJ
1992Zygmunt, A Collaboration by Judy Pfaff and Ursula von Rydingsvard, The Cultural Space (laboratory for Exit Art), New York, NY
Then & Now, Philippe Staib Gallery, New York, NY
1991The Hybrid State, Exit Art, New York, NY
Five Central European Artists, Cultural Center, Chicago, IL, curated by Gregory Knight and Lanny Silverman
Sowers of Myth, Cultural Center, Chicago, IL
Jestesmy, Central Bureau for Art Exhibitions-ZACHETA, Warsaw, Poland; to traveled to Krakow, Poland), curated by Wieslawa Wierzchowska and Elizabeta Dzikowska
1990Out of Wood, Whitney Museum of Contemporary Art, Philip Morris Branch, New York, NY, curated by Josephine Gear
The Art of Drawing, Lehman College of Art Gallery, Bronx, NY
Diverse Representations, The Morris Museum, Morristown, NJ
1989-93Recent Acquisitions, Metropolitan Museum of Art, New York, NY
1989New Acquisitions, The Brooklyn Museum, Brooklyn, NY
1989-90100 Drawings by Women, Hillwood Art Gallery, C. W. Post, Greenvale, NY
Blum-Helman, New York, NY, curated by Judy Collischan van Wagner
1989Totem, Addison Gallery, Phillips Academy, Andover, MA, curated by Jock Reynolds
Ellen Driscoll, Robert Lobe, and Ursula von Rydingsvard, Damon Brandt Gallery, New York, NY
Encore: Celebrating Fifty Years, The Contemporary Arts Center, Cincinnati, OH, curated by Sarah Rogers-Lafferty
Sculpture, Krygier/Landau Contemporary Art Gallery, Santa Monica, CA
1988Life Force, Robeson Center Gallery, Rutgers University, Newark, NJ, curated by Alison Weld
Home Show, Santa Barbara Contemporaty Arts Forum, Santa Barbara, CA
1987Sculpture of the Eighties: Aycock, Ferrara, Frank, Lasch, Miss, Pfaff, Saar, Sperry, von Rydingsvard, Zucker, Queens Museum, Flushing, NY, curated by Ileen Sheppard
Standing Ground, The Contemporary Arts Center, Cincinnati, OH, curated by Sarah Rogers Lafferty
The Levels of Volume, Carl Solway Gallery, Cincinnati, OH, curated by Judy Pfaff
1985Selections from the Collection, The Aldrich Museum of Contemporary Art, Ridgefeild, CT
Judith Murrary and Ursula von Rydingsvard, Hillwood Art Gallery, C.W. Post Campus, Greenvale, NY
In Three Dimensions: Recent Sculptures by Women, Pratt Institute Gallery, Brooklyn, NY, curated by Jessica Cusick
Sculpture: Penn’s Landing, Philadelphia, PA, curated by Marsha Moss
1984Henri Gallery, Washington, DC
The Ways of Wood, OIA, Queens College, NY
Transformation of the Minimal Style, Sculpture Center, New York, NY
Contemporary Art at One Penn Plaza, New York, NY curated by Dore Ashton
Jack Tilton Gallery, New York, NY
1983The Inaugural Exhibition of Six Sculptors, Bette Stoler Gallery, New York, NY
55 Mercer/12 Years, 55 Mercer Gallery, New York, NY
1981Architecture by Artists, Rosa Esman Gallery, New York, NY
55 Mercer: 10 Sculptors, Fine Arts Gallery, Stony Brook, NY curated by Lawrence Alloway
1980Sculpture exhibition in conjunction with the XI International Sculpture Conference, The Maryland Institute, College Art Gallery, Baltimore, MD
Nineteen at Twenty Six, 26 Federal Plaza, New York, NY, sponsored by the Cultural Council Foundation
Site Sights: Outdoor Sculpture at Pratt, Pratt Institute, Brooklyn, NY curated by David Weinrib
1979-80NY/8, Joe and Emily Lowe Art Gallery, Syracuse University, Syracuse, NY, sponsored by the N.Y. State Council on Arts
1979Twin Tower I, New York City, a sculpture installation
1978Artists by the Sea, Newhouse Gallery, Snug Harbor Cultural Center, Staten Island, NY
Small Works, 55 Mercer, New York, NY
Seven Sensibilities, Thorpe Intermediate Gallery, Sparkill, NY
Indoor-Outdoor Sculpture Exhibition, P.S. 1 (Institute for Art and Urban Resources), Long Island City, NY
1977Wood and Other Works, Central Hall Gallery, Port Washington,NY
Wood, Nassau County Museum of Fine Arts, Roslyn, NY, curated by Jean Feinberg
1976This Doesn’t Look Like a Work of Art II, Truman Gallery, New York, NY
Contemporary Reflections, The Aldrich Museum of Contemporary Art, Ridgefield, CT
1975Queensborough Community College, Bayside, NY two person sculpture exhibition
Bronx Museum of Art, Bronx, NY
Corcoran Gallery, Washington, DC
Lowe Art Museum, Coral Gables, FL

Private and Public Commissions

2016SCIENTIA, McGovern Institute for Brain Research, Massachusetts Institute of Technology, Cambridge, MA (permanent installation)
2015URODA, Andlinger Center for Energy and the Environment, Princeton University, Princeton, NJ (permanent installation)
2013Ona, Barclays Center, Brooklyn, NY (permanent installation)
2010Luba, Storm King Art Center, Mountainville, NY
2009Ogromna, North Carolina Museum of Art, Raleigh, NC
2007Wide Babelki Bowl, South Woodstock, VT
2006Damski Czepek, Mad Sq Art at Madison Square Park, New York, NY
2005Berwici pici pa, Bloomberg Building, New York, NY (permanent installation)
2002Katul Katul, Queens Family Court House, Jamaica, NY (permanent installation)
Na Onej Gorze, Richmond, MA (permanent installation)
2000Bowl With Folds, Public Art Fund, Doris C. Freedman Plaza, Central Park, New York, NY
Large Bowl, Williams College, Williamstown, MA (permanent installation)
1998Three Bowls, Nelson-Atkins Museum of Art, Kansas City, MO (permanent installation)
Mountains with Folds, Pound Ridge, NY (permanent installation)
1997Skip to my Lou, Microsoft, Redmon, WA (permanent installation)
For Ursie A, T.F. Green Airport, Providence, Rhode Island (permanent installation)
Paddy-Wack, Sebastopol, CA (permanent installation)
1994Corrugated Rollers, Metro Tech Plaza, Brooklyn, NY curated by Jim Clark, Public Art Fund
1990-3Three Bowls, Walker Art Center, Minneapolis, MN
Corrugated Rollers, Three Rivers Festival, Pittsburg, PA curated by Sarah Rogers
1990-2Five Cones, Pound Ridge, NY
For Paul, Storm King Art Center, Mountainville, NY (permanent installation)
1990-1Iggy’s Pride, Oliver Ranch, Geyserville, CA (permanent installation)
1994Slepa Gienia, Denver Art Museum, Denver, CO
1990Ene Due Rabe, Capp Street Project, San Francisco, CA
1989Untitled (45 Tubs), Laumeire Sculpture Park, St. Louis, MO, NEA Art in Public Places Program (permanent installation)
1987Zakopane, Maryland Institute of Art and NEA grant, Baltimore, MD
1984Sixteen Handrests, Maryland Institute and NEA Art in Public Places grant, Baltimore, MD
1983Tunnels on the Levee, Dayton City Beautiful Project, Deweese Park, Dayton, OH
1980St. Martin’s Dream, Battery Park City Landfill, New York, NY, sponsored by Creative Time
1979Song of a Saint (St. Eulalia), Artpark, Lewiston, NY
Koszarawa, Wave Hill, Bronx, NY

Selected Public Collections

Akron Art Museum, Akron, OH
Albright-Knox Art Gallery, Buffalo, NY
Aldrich Museum of Contemporary Art, Ridgefield, CT
William Benton Museum of Art, University of Connecticut, Storrs, CT
Barclays Center, Brooklyn, NY
Baruch College, New York, NY
Bloomberg Building, New York, NY
Brooklyn Museum, Brooklyn, NY
Cantor Arts Center, Stanford University, CA
Centre for Contemporary Art, Ujazdowski Castle, Warsaw, Poland
Cincinnati Art Museum, Cincinnati, OH
The Contemporary Austin, Austin, TX
Crystal Bridges Museum of American Art, Bentonville, AR
De Cordova Sculpture Park + Museum, Lincoln, MA
Detroit Institute of Arts, Detroit, MI
The Fabric Workshop and Museum, Philadelphia, PA
Fairchild Tropical Botanic Garden, Coral Gables, FL
Fisher Landau Center for Art, Long Island City, NY
T. F. Green Airport, Providence, RI
High Museum of Art, Atlanta, GA
Hood Museum of Art, Dartmouth, NH
Kemper Museum of Contemporary Art, Kansas City, MO
Laumeier Sculpture Park, St. Louis, MO
Madison Art Center, Madison, WI
Madison Museum of Contemporary Art, Madison, WI
Metropolitan Museum of Art, New York, NY
Microsoft Corporation, Redmond, WA
Museum of Contemporary Art, North Miami, FL
Museum of Fine Arts, Boston, MA
Museum of Modern Art, New York, NY
National Gallery of Art, Washington, D.C.
National Museum of Women in the Arts, Washington, D.C.
Nelson-Atkins Museum of Art, Kansas City, MO
Neuberger Museum of Art, State University of New York, Purchase, NY
North Carolina Museum of Art, Raleigh, NC
Norton Museum of Art, West Palm Beach, FL
Orlando Museum of Art, Orlando, FL
Portland Art Museum, Portland, OR
Queens Family Courthouse, Long Island City, NY
San Diego Museum of Art, San Diego, CA
San Francisco Airport, San Francisco, CA
San Francisco Museum of Modern Art, San Francisco, CA
Speed Art Museum, Louisville, KY
Storm King Art Center, Mountainville, NY
Ulrich Museum of Art, Wichita, KS
University of Iowa Museum of Art, Iowa City, IA
Virginia Museum of Fine Art, Richmond, VA
Walker Art Center, Minneapolis, MN
Whitney Museum of American Art, New York, NY
Williams College, Willamstown, MA
Yale University Art Gallery, New Haven, CT

Bibliography

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Slocum, Amy Marie, “A Closer Look at Hauser, Wirth & Schimmel’s Inaugural Exhibition, Revolution in the Making,” Flaunt, Spring 2016.
Farago, Jason, “Interview: Ursula von Rydingsvard,” Even, Issue 3, Spring 2016.
Ballard, Thea. “Q&A: Jenni Sorkin on ‘Revolution in the Making’ at Hauser Wirth & Schimmel,” Modern Painters, March 16, 2016.
McQuaid, Cate, “Working Small,” Boston Globe, March 1, 2016.
Pener, Degen, “The Hybrid Gallery,” Cultured Magazine, Feb/ Mar 2016.
Heartney, Eleanor, “Keeping Faith,” Art in America, February 2016.
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Cembalest, Robin. "Venice Highlights 2015: Pavilions and Collateral Events," Art in America. May 2015.
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Dunlap, David W. “Change in Jamaica,,” The New York Times 6 July 2003.
Dunne, Aidan. “The cream of Kilkenny,,” The Irish Times 13 Aug. 2003: 11.
Glueck, Grace. “Ursula von Rydingsvard ‘Primitive Jarring’,” The New York Times 6 June 2003: E33.
Mattison, Robert S. and Noble, Alastair. “Intensity of Purpose: Ursula von Rydingsvard,” Lafayette College Art Galleries: Easton, PA, 2003.
Princenthal, Nancy. “Ursula von Rydingsvard at Galerie Lelong,,” Art in America October 2003, pg. 124.
Safran, Yehuda. “Pure Architecture,” 32: Beijing/New York Issue 1, 2003: 5.
Smindak, Helen. “Abstract Works in Cedar,” The Ukrainian Weekly No. 22 June 2003: 14.
Wei, Lily. “Ursula von Rydingsvard: Primitive Jarring,” ARTnews Oct. 2003: 125.
Weintraub, Linda. “Ursula von Rydingsvard.” Tema Celeste No. 99 Oct. 2003: 87.
2002Berman, Avis. "Fighting With the Monsters That Fill Her Studio," The New York Times 24 Feb. 2002: 45.
Brookman, Donna. "Collecting Experience: A Conversation with Steven Oliver,"  Sculpture Magazine 21:8 Oct. 2002: 36-43.
“Cedar Sculptures and Charcoal Drawings from Ursula von Rydingsvard,” Antiques and the Arts Weekly 22 Mar. 2002: 58.
Franke-Ruta, Garance. “globe>Miami>island,” Washington City Paper 22:17 26 Apr. 2002.
Hackman, Kate. “Beyond the Feminine,” The Kansas City Star 25 Oct. 2002: Art 29.
Harper, Paula. “Report from Miami Bass Forward,” Art in America June 2002: 71-74.
Hinojosa, Karl A. “Sculpting Humanity from Wood,” The Harvard Crimson [Arts] 15 Mar. 2002.
Hurwitz-Attias, Laurie. “Ursula von Rydingsvard Galerie Lelong Paris,” ArtNews 101:10 Nov. 2002.
Karkowski, Czeslaw. “Nowojorska kronika kulturalna,” Nowy Dziennik: Przeglad Polski 8 Feb. 2002: 5.
Maxwell, Douglas. “Ursula von Rydingsvard: On an Epic Scale,” NYArts May 2002: 134.
Morgan, Anne Barclay. “Epic Sculpture: An Interview with Ursula von Rydingsvard,” Art Papers Magazine 26:5 Sep./Oct. 2002.
Sheets, Hilarie M. “Ursula von Rydingsvard, Neuberger Museum of Art, Purchase.” ARTNews Apr. 2002: 134.
“Spring Jaunt.” New York [Magazine] 35:12 15 Apr. 2002: 86.
2001Jana, Reena. "Good Chemistry," ArtNews Feb. 2001: 50.
Koplos, Janet. “Stasis and Agitation.” Art in America Jan. 2001: 86+.
2000Basara, Zbigniew. "Ursula von Rydingsvard," Wysokie Obcasy Sep. 2000: 30-34.
Newhall, Elizabeth. "Talent," New York [Magazine] 27 Mar. 2000: 130.
Brockington, Horace. "Ursula von Rydingsvard at Galerie Lelong," NY ARTS, International Edition April 2000.
di Suvero, Mark. "Ursula von Rydingsvard," Connaissance Des Arts [France] Dec. 2000.
Karkowski, Czeslaw. "Nowojorska kronika kulturalna," Przeglad Ploski [Poland] 17 Mar. 2000: 7.
Lipton, Eric. "Halls of Justice Going UP All Over in New York," New York Times 5 Dec. 2000: B9.
"Masterwork The Faulconer Gallery," The Grinnell Magazine 32:3 April 2000.
Maxwell, Douglas F. "Ursula von Rydingsvard," Review Magazine 15 Mar. 2000.
Morgan, Ann Barclay. “Ursula von Rydingsvard,” Sculpture Magazine Sep. 2000: 67-68.
Pachner, Joan. "Visions and Vistas: A Sculpture Collection Evolves at the Storm King Art Center," Earth, Sky, and Sculpture: Storm King Art Center, Mountainville, New York: Storm King Art Center, 2000: 156-160.
"Recent Projects," Public Art Review Fall-Winter 2000: 46.
Robinson, Walter. "Weekend Update," Artnet.com 13 Mar. 2000.
Smith, Roberta. "The End: An Independent Vision of Contemporary Culture," The New York Times 21 Apr. 2000: Ill.
Smith, Roberta. "Urban Exercise: Stretching the Definitions of Outdoor Art," The New York Times 28 July 2000: E26+.
Torres, Ana Maria. "Ursula von Rydingsvard," NY ARTS, International Edition June 2000: 18-21.
"Ursula von Rydingsvard," The New Yorker 3 April.
"Ursula von Rydingsvard," New York Contemporary Art Report March-April 2000: 60-61.
1999Artner, Alan G. "Entering the world of Ursula von Rydingsvard," Chicago Tribune 15 Jan. 1999: Section 7.
Holg, Garrett. "Ursula von Rydingsvard, ‘Sculpture’," ARTnews Jan. 1999.
“Museums Brand New Heavy, THE CALENDAR,” The Honolulu Weekly, 21 Apr. 1999.
Wageman, Virginia. "Contemporary exhibits large-scale wood sculptures: Ursula von Rydingsvard comments on her work," The Honolulu Advertiser 4 Apr. 1999: E8.
1998Berman, Avis. "Ursula von Rydingsvard Sculpts Metaphors In Wood," Smithsonian Magazine April 1998: 98-107.
Bonetti, David. "International Art Fair a Dazzler," San Francisco Examiner 2 Oct. 1998.
Camper, Fred. "Cutting Edges," Chicago Reader 25 Dec. 1998: 44-47 sec. 1.
Castro, Jan Garde. "Ursula von Rydingsvard, Nelson Atkins Museum of Art," Sculpture Magazine Nov. 1998: 63-63.
Holg, Garrett. "Objective Art," Chicago Sun Times 13 Dec. 1998: N19E.
Kirsch, Elisabeth. "Sculptor’s Smaller Works are Big on Distinctions," Preview/Art 5 June 1998.
"Lo-tech Art for Microsoft," Art in America Mar. 1998.
McAdam, Barbara. "Where the Dinosaurs are the Old Masters," ARTNews Mar. 1998.
Morgan, Ann Barclay. "Ursula von Rydingsvard, For Ursie," Sculpture Magazine 17:1 Jan. 1998: 14.
Raven, Arlene. "Double Bed (Judy Pfaff & Ursula von Rydingsvard: Zygmunt)," The Village Voice 6 Mar. 1998.
Rowlands, Penelope. "Living with Art: Steven and Nancy Oliver," ARTNews Mar. 1998.
Temin, Christine. "Sculptured Forms that Evoke Nature’s Forces," The Boston Globe 4 Sep. 1998.
Thorson, Alice. "Touchstones of Cedar: Ursula von Rydingsvard calls upon childhood memories for sculptural inspiration,"  The Kansas City Star 8 May 1998.
Updike, Robin. "A von Rydingsvard Sculpture Fills an Outdoor Niche at Microsoft," Seattle Times 12 May 1998.
"Ursula von Rydingsvard, Skip to my Lou," Sculpture Magazine July/Aug. 1998.
Vogel, Carol. "A Sculpture for Microsoft," The New York Times 6 Feb. 1998.
1997Bell, J. Bowyer. "Ursula von Rydingsvard," Review  1 Feb. 1997.
Glueck, Grace. "Art in Review: Ursula von Rydingsvard," The New York Times 21 Feb. 1997.
Packer, William. "Mystery Amid the Landscape," The London Financial Times Nov. 1997.
Plastyczne, Sztuki. "Nowojorska kronika kultualna," Przeglad Polski Jan. 1997: 7.
Schmerler, Sarah. "Ursula von Rydingsvard," Time Out New York Issue 74 20 Feb. 1997.
Schwalb, Susan. "Books: ‘The Sculpture of Ursula von Rydingsvard.’," Art New England Dec./Jan. 1997/1998: 9.
Scott, Whitney. "In the Gallery," New York Post 18 Jan. 1997.
Spring, Justin. "Ursula von Rydingsvard," Art Forum May 1997: Reviews.
"Ursula von Rydingsvard," New York Magazine 3 Feb 1997: 76.
Updike, Robin. "In a Departure, Microsoft Orders Outdoor Sculpture," Seattle Times 11 Dec. 1997.
1996Gardner, Paul. "Studio Visits: Pleasure, Pain, and Protocol," ARTnews 95:3 Mar. 1996.
Landi, Ann. "Art, Roughly Hewn," Brooklyn Bridge [New York] Jan.1996: 1+.
Morgan, Anne Barclay. “Ursula von Rydingsvard,” Sculpture 15:9, Nov. 1996: 26-29.
"Review: The Sculpture of Ursula von Rydingsvard," Publishers Weekly , 25 Nov. 1996: 67.
Van Siclen, Bill. "Panel Makes its Selections," Rhode Island Journal 3 May 1996: B1+.
1995Barnhart, Ben. "Nie chce robic rzeczy pieknych," Kurier Plus [New York] 9 Dec. 1995.
Fressola, Michael J. "‘Beyond Gender’ Exhibit Focuses on Wider Issues," Staten Island Advance 27 Oct. 1995: B3.
Fressola, Michael J. "‘Beyond Gender’ at the Newhouse," Staten Island Advance 29 Dec. 1995: C7.
Richardson, Bruce. "Into the Woods: Challenging Art on Display," Casper Star Tribune [Wyoming] 23 Apr. 1995: E3.
1994Bartelik, Marek. "Ursula von Rydingsvard," Artforum Oct. 1994: 102-103.
Cotter, Holland. "Sculpture Under the Sky: Free, Daring and Soon Departed," The New York Times 26 Aug. 1994: C1+.
Dickinson, Carol V. "Landscape as Metaphor at the Denver Art Museum," ARTNews Oct. 1994: 194.
Dove, Pheralyn. "An Artist Who Sculpts Using a Circular Saw," The Philadelphia Inquirer 14 July 1994: M1-2.
Gardner, Paul. "Lights, Cameras, Action: When Artists Go to the Movies," ArtNews Dec. 1994: 126-129.
Kossowska, Irena. “Urszula von Rydingsvard,” Nowy Dziennik [New York] 25-26 June 1994.
Newhall, Edith. “Ursula von Rydingsvard,” Artnews Sep. 1994: 167.
Rosen, Steven. "Landscape as Metaphor Charts Unusual Terrain," The Denver Post 8 May 1994: 1A+.
Sozanski, Eduard J. "Change and Continuity in Outdoor Sculptures," The Philadelphia Inquirer 26 Aug. 1994.
"Ursula von Rydingsvard," The New Yorker 25 Apr. 1994.
Vogel, Carol. "Making Outdoor Sculpture Temporary," The New York Times 22 July 1994.
von Rydingsvard, Ursula. "15 Sacks for Cortazar (5 drawings)," Point of Contact Fall/Winter 1994.
1993Levi Strauss, David. "Sculpture as Refuge,"  Art in America Feb. 1993: 89+.
Raynor, Vivian. "Changes at a Sculpture Park," The New York Times 22 Aug. 1993: 15.
“Sculpture Park and Museum Set To Open This Weekend,” The Hamilton Observer 21 May 1993.
Tanaka, Hiroko. "Ursula von Rydingsvard," Hi Fashion [Tokyo] Nov. 1993.
Watkins, Elle. "Art," The Star Ledger [New Jersy] Sep. 1993: 3?ø?ø.
1992Andre, Mila. "Outdoor Sculpture Carves a Niche," Daily News 22 May 1992.
Bird, Charlotte. "Hideout," Elle Decor Aug./Sep. 1992.
Clothier, Peter. "Ursula von Rydingsvard," Artspace Sep./Oct. 1992: 58-59.
Farlekas, Chris. "Exhibit Features Work in Cedar," Sunday Magazine 17 May 1992.
Farlekas, Chris. "Art Center Examined," Sunday Magazine 17 May 1992.
Fressola, Michael. "Sculpture (nearly) Upstages Mother Nature," Staten Island Advance 31 May 1992.
Gardner, Paul. "Do Titles Really Matter?," Art News Feb. 1992.
Georgi, Kristen. "Sculpture Garden a Hidden Treasure," FOCUS  8 July 1992.
Kimmelman, Michael. “Intonation in Wood of Ritual and Refugee Camps,” The New York Times 17 July 1992: C21.
Larson, Kay. “Inside Out,” New York Magazine 15 June 1992: 100 – 101.
Lempka, Wayne. "Artistic Horizons," Poughkeepsie Journal 24 July 1992.
Marter, Joan. "Ursula von Rydingsvard at Storm King Art Center, Mountainville,"  Sculpture Magazine 2:6 Nov./Dec. 1992: 75.
Norklun, Kathi. "Genius in Cedar," Ivory Trade 23 July 1992.
Phillips, Patricia. "Ursula von Rydingsvard: Storm King Art Center," ArtForum Sep. 1992: 101.
Raven, Arlene. "Double Bed (Judy Pfaff and Ursula von Rydingsvard: Zygmunt)," The Village Voice 37:10 10 Mar. 1992: 91.
Raynor, Vivien. "Sculptures of Wood in Wooden Setting," The New York Times 20 Sep. 1992: C26.
Wasserman, Gail. "The Raging Storm," Weekend Life in the Hudson Valley 28 May 1992.
1991Kirsh, Andrea. "St. Lewis Letters," International Arts Magazine No. 24 Jan. 1991: 29.
Melrod, George. "Ursula von Rydingsvard – Lawrence Monk," Art News Dec. 1991.
1990Baker, Kenneth. "Landscape Fills a Room," San Francisco Chronicle 13 Dec. 1990: E3.
Brenson, Michael. "Ursula von Rydingsvard," New York Times Mar. 1990.
Comp, Ellen. "Ursula von Rydingsvard," ArtWeek 13 Dec. 1990.
Degener, Patricia. "45 Tubs, Set in Small Valley is a Magical Work of Sculpture," St. Louis Post-Dispatch Apr. 1990.
Mahoney, Robert. “Reviews: Ursula von Rydingsvard,” Arts Magazine Summer 1990.
Nadelman, Cynthia. "Out of Wood," Sculpture Magazine 9:3 May/June 1990: 96.
Rose, Matthew. "In Case for Plywood or Knots on Wood," Art Gallery International Summer 1990.
Zettell, Amanda. "The Morris Museum: New and Improved,"  Garden State Home & Garden Sep. 1990.
Zimmer, William. "Sculpture by Novel Means," The New York Times 4 Nov. 1990.
1989Abatt, Corinne. "Cedar Sculpture Leaves Impression of Beauty, Protection and Foreboding," Creative Living 16 Feb. 1989.
Colby, Joy. "Artist’s Wooden Creations are Scarred with Childhood Emotion," The Detroit News 10 Mar. 1989.
Doll, Lesa. "Survival takes Shape in Artist’s Sculptures," Gallery Talk 24 Mar. 1989.
Gibson, Eric. “Decade in Review,” Sculpture May/June 1989.
Termin, Christine. "Totem’ Digs Deep into Culture Consciousness," The Boston Globe 5 Dec. 1989.
"Ursula von Rydingsvard at CAC and Art Academy," Art Academy News 8:I Sep. 1989.
Viny, Jill. "Ursula von Rydingsvard: A Rich, Redemptive Journy," Sculpture Nov./Dec. 1989.
1988Atkins, Robert. "Ursula von Rydingsvard," 7 Days 20 Apr. 1988: 51.
Berman, Avis. "Ursula von Rydingsvard; Life Under Seige," Art News Dec. 1988: 97-98.
Brenson, Michael. "Four Sculptors with Intense Visions," The New York Times 17 Apr. 1988.
Brenson, Michael. "Setting Free the Images in Big Beams of Wood," The New York Times 1 Apr. 1988: C32.
Clarke, Jr., Orville O. "The Home Show," Art Scenes Sep. 1988.
Degener, Patricia. "Ursula von Rydingsvard," St. Louis Post-Dispatch 27 Mar. 1988.
Graziani, Ron. “The Home Show: Public Art Fund,” Santa Barbara Magazine Nov. 1988: 52-61.
Knight, Christopher. "In Santa Barbara Home is Where the Art Is," Los Angeles Herald Examiner 11 Sep. 1988.
Larson, Kay. "Ursula von Rydingsvard," New York Magazine 9 May 1988: 81.
Miro, Marsha. "Vulnerability and Ritual Live in Cedar Forms," Detroit Free Press , 12 Feb. 1988.
Raynor, Vivien. "Group Show with ’Side Dish’," The New York Times 8 Nov. 1988.
Woodard, Josef. "Home is Where the Art is," The Independent 8 Sep. 1988.
Zimmer, William. "Ursula von Rydingsvard, Exit Art, N.Y.C," Sculpture July/Aug. 1988.
1987Brenson, Michael. "Shaping a New Consciousness in Sculpture," The New York Times 12 July 1987.
Lipson, Karin. "80’s Shapes: Sculpture by Women," Newsday 21 June 1987.
Stein, Jerry. "Fourth Street’s Galleries Showcase an Explosion in Sculpture," The Cincinnati Post 4 Apr. 1987.
Stavitsky, Gail. "Judith Murray, Ursula von Rydingsvard," Arts Jan. 1987.
1986von Rydingsvard, Ursula. “Thoughts About My Work,” A Journal for Artists Issue 6 Spring 1986.
1985Brenson, Michael. “Wood,” The New York Times 7 June 1985: C24.
1984Brenson, Michael. "Sculptors Find New Ways With Wood," The New York Times 2 Dec. 1984

Grants and Awards

2014Lifetime Achievement Award, International Sculpture Center, Hamilton, New Jersey
National Association of Women Artists Honoree
Institute for Music and Neurological Function Honoree (with Paul Greengard)
2013Pearl Meister Greengard Award Presenter
Storm King Gala Honoree
2011Best Show in a Non-Profit Gallery or Space, American Section of the International Association of Art Critics
Skowhegan Medal for Sculpture, Skowhegan School of Painting & Sculpture, New York, New York
2008Rappaport Prize, DeCordova Museum and Sculpture Park, Lincoln, MA
Member, American Academy of Arts and Letters
Socrates Sculpture Park Benefit Event Honoree
2007Artist in Residence, American Academy in Rome, Rome, Italy
20002nd prize, Best Show in a Commercial Gallery, International Association of Art Critics
1997Joan Mitchell Award
1994Academy Award in Art, American Academy of Arts and Letters, NY, NY
1992American section of the International Art Critics, best small museum exhibition award for 1991-92 season for “Ursula von Rydingsvard: Sculpture” at Storm King Art Center
1991Honorary Doctorate, Maryland Institute College of Art, Baltimore, MD
1986-87National Endowment for the Arts, Individual Artists Grant
1985Griswald Traveling Grant – Yale University
1983-84Guggenheim Fellowship
Athena Foundation Grant
1980CAPS, Creative Artists Program Service
1979National Endowment for the Arts
1978America the Beautiful Fund
New York State Council on the Arts
1975Fulbright-Hays Travel Grant